Shintaro’s work has been influenced by Japanese minimalist photographers such as Sugimoto Hiroshi. His bi-racial identity informs themes underlying his compositions — ones that are marked by the inherent tension in spanning two cultures and how those tensions reveal themselves in nature — particularly between water and land.
In his art, people often play a secondary or tertiary role. Instead, their presence is used to emphasize the tension, intersection and scale of the surrounding natural landscapes and seascapes. He works exclusively with medium format film, a format he's nurtured over the last ten years.